• Aftermath Rolling Stones Full Album
• Rolling Stones Aftermath Album
• Rolling Stones Aftermath Wiki

By the time the Rolling Stones began calling themselves the World’s Greatest Rock & Roll Band in the late ’60s, they had already staked out an impressive claim on the title. As the self-consciously dangerous alternative to the bouncy Merseybeat of the Beatles in the British Invasion, the Stones had pioneered the gritty, hard-driving blues. Rolling Stones - Aftermath (1966) UK Mono Version + 4 Bonus CD Quality 16-44 Hi-Rez 24-96 Info Pass: profstoned. Kind of amazed that even after ABKCO finally rereleased the mono of Aftermath, they STILL had to F-it-all up with the NR on the intro to 'Lady Jane', and fading out 'I Am Waiting' and 'Think' way too early on the UK.

At last, the 14 song UK version of The Rolling Stones Aftermath. This is one of my favorite Rolling Stones albums. It was a landmark album for the band as it was the first Rolling Stones album to consist of all original Jagger/Richards material.

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Cover art included, liner notes not included

In 2016, for the first time ever, all mono studio recordings released by The Rolling Stones in the 1960s are available in one unique historic collection. The collection contains a total of 186 tracks, 56 of which have never before been heard in mono since the advent of the digital age. This set includes the following albums:
The Rolling Stones (U.K., 1964)
12 X 5 (1964)
The Rolling Stones No. 2 (U.K., 1965)
The Rolling Stones Now! (1965)
Out of Our Heads (U.S., 1965)
Out of Our Heads (U.K., 1965)
December's Children (And Everybody's) (1965)
Aftermath (U.K., 1966)
Aftermath (U.S., 1966)
Between the Buttons (UK, 1967)
Flowers (1967)
Their Satanic Majesties Request (1967)
Beggar's Banquet (1968)
Let it Bleed (1969)
Stray Cats (2016)
Spanning the era between 1963 and 1969, The Rolling Stones in Mono covers the formative years of “The Greatest Rock & Roll Band in the World.” During this era, most rock and pop recordings were originally recorded in mono, with stereo often an afterthought, dealt with only following the completion of the original (mono) version of a given track. In short, mono reigned and this was, indeed, the case for the Rolling Stones during the period. While typical playback systems of the time were less than sophisticated, the original mono recordings, especially as heard through quality components, were of the highest audio quality and had a powerful and very direct impact. 'You felt you were in the room . . . listening to exactly what went down in the studio, no frills, no nothing,' Keith Richards wrote in his autobiography, Life. 'Rock was a completely new musical form,' Mick Jagger explained in a 1995 Rolling Stone interview. 'It hadn't been around for ten years when we started doing it . . . You felt like one of the chosen few, one of the only ones in the world who would get to play with this new toy. We had evangelical fervor.' Late recording engineer Dave Hassinger explained how he mixed his ’64-’66 work for the Stones in mono, 'They always played together at the same time,' Hassinger said. 'They would run the parts down, work out the changes here and there, nail it down, then start recording.'
The Rolling Stones in Mono was mastered by acclaimed GRAMMY award winning engineer Bob Ludwig at Gateway Mastering.

Aftermath Rolling Stones Full Album

Rolling Stones Aftermath Album

Rolling Stones Aftermath Wiki

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